'The Furies'
Nikos Sahinis (1924-)
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If the expressionism and experimentation with the plastic surface that define the way Sahinis looks at the human environment have left their mark on abstractionism, then Venetoulias' urban landscapes, which are chromatically exciting and frequently acerbic owing to his inclination towards social criticism, as well as Loustas' lyrical landscapes, continue to depict the Macedonian towns and countryside that inspired the previous generation.
An idiosyncratic blend of realism, expressionism and surrealism is evident in Mavromatis' principal subject, the trains. In the younger generation, representational painting appears robust and exploratory in the work of Botsoglou, while Lazongas cultivates the three-dimensional possibilities of abstractionism.
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